7/14/2023 0 Comments Vein of stars lyrics meaningThe lone second set version in 2011 was unsheathed at MSG while “ Sneakin’ Sally Through The Alley” on New Year’s Eve. Video by LazyLightning55a.Īll but one of the six 2011 performances were placed in the first set and as such were typical radio friendly edits, with only the Tahoe 8/9/11 set closer clocking in over nine minutes in duration. In 2010, "46 Days" made eleven public appearances, including notable offerings on 6/22/10 at Great Woods, 8/7/10 in Berkeley, CA, and 10/19/10 in Augusta, ME. In 2009, "46 Days" strayed from a subtle (as a lead pipe to the skull) first set Jersey stomp on 6/7/09 in Camden, to a bluesy southern drawl in the glory daze of post-Boss Bonnaroo on 6/14/09, ultimately disintegrating entirely on 8/15/09 at Merriweather in glorious deep space exploration that never attempted to come back home. Trey and Phil Lesh also took “46 Days” for a spin at the now-defunct Vegoose festival on 10/28/06. In the days between Phish, "46 Days" was a regular with the various incarnations of TAB in 2005-06 – visit the New Orleans Superjam from 4/30/05 with Mike on bass and Ivan Neville on keyboards, or 10/11/06 Philly, again with Mike. It was down and away, got launched into deep left field, rounded the bass, and then slid back into the plate in a cloud of dust. In 2004, the only particularly noteworthy version of "46 Days" was played by request ("give it to me!") during the second set on 6/17/04 at KeySpan Park. ![]() ![]() ![]() The passage through the tear in the fabric of space-time united by these two neutron star dense endpoints is rather pedestrian by comparison however the versions from 2/25/03 Philadelphia, 7/10/03 Shoreline, and 7/21/03 ( Deer Creek, which slid out of “ Taste” - the fear - and into the freezer) further expanded the song’s versatility. But as Phish proves over and over, you can’t judge a book by its cover.īetween the surprisingly colossal second set opening Hampton ( 1/2/03) rendition and the 8/3/03 IT version that seemed to last about forty-six days, Phish 2020 rather infrequently steered this interstellar quantum-tunneling rock bulldozer into regions of jam space that had previously avoided regrading and wormhole emplacement. At first listen – that being the Round Room version and/or its strikingly similar televised first Live (from New York…it’s Saturday Night) performance – “46 Days” appeared to be a chugging funk-rock stomp in the vein of “ Character Zero.” Strikingly similar to “ Sneakin’ Sally” in terms of structure and progression, it was seemingly nothing more than a tight, guitar-driven set closer with very little room for improvisational expansion.
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